THE ROLE OF MUSIC VIDEOS IN UZBEK CULTURE

Main Article Content

Anvar Juraevich Adilov

Abstract

In this scientific article, in the process of analyzing young people working in Uzbek show business today, and in the process of analyzing the music videos they create, their achievements and problems are studied, and the necessary suggestions and comments are provided. At the same time, the work of young music video directors and currently working cameramen will be examined. The article objectively highlights the role and significance of clips created in our country, based on the principles, skills, scientific and technical possibilities of interaction between the work of the operator in Uzbek video clips and artistic creativity. After analyzing on a scientific basis the causes of these shortcomings and the current state of youth creativity in Uzbek show business, proposals and comments are made to eliminate the existing problems of creative cooperation.

Article Details

How to Cite
Anvar Juraevich Adilov. (2024). THE ROLE OF MUSIC VIDEOS IN UZBEK CULTURE. Galaxy International Interdisciplinary Research Journal, 12(7), 55–61. Retrieved from https://giirj.com/index.php/giirj/article/view/7031
Section
Articles

References

Akhmedov B. "Directing a television film" (textbook), T.: "Akadem-khizmat", 2005

Akhmedov B. "Uzbek Television Cinema Syning Rivozhlanish tarihi", T.: "Academy", 2007

Abul-Kasymova Kh., Teshabaev D., Mirzamukhamedova M. Cinema of Uzbekistan. Tashkent: Gafur Gulyam Publishing House of Literature and Art, 1985. – 286 c.

Abul-Kasymova Kh. Osnovy kinoiskusstva [Fundamentals of Cinema Art]. Tashkent., 2007. – 120 c.

Акбаров Х. Кино санъати тарихи. Т., “ТИИ”, 2005. – 39 б.

Акбаров Х. Адабиёт ва кино. – Т.: Ғ. Ғулом номидаги адабиёт ва санъат нашриёти, –1984 й., – 49 б.

Vartanov A. "Life, Fabula, Plot". Moscow: "Iskusstvo", 1968

Berdyaev / V. B. Serbinenko // Novaya filosofskaya entsiklopediya: v 4 t. / pred. nauch.-red. soveta V. S. Stepin. – 2nd ed., ispr. Moscow, Mysl Publ., 2010. 2816 p.

Masurenkov Dmitry. Cinema. Iskusstvo i tekhnika (rus.) // MediaVision: magazine. – 2011. – № 6. – S. 55—57.

Karimova N. Game Cinema of Uzbekistan. Tashkent: San'at Publishing House, 2016. – 216 c.

Anemone, A. (2015). The polemic around mikhail Kalatozov’s a nail in the boot. Studies in Russian and Soviet Cinema, 9(2), 126-133. doi:10.1080/17503132.2015.1035082

Apostolov, A. (2014). The enemy at the gate: The soviet goalkeeper in cinema, culture and policy. Studies in Russian and Soviet Cinema, 8(3), 200-217. doi:10.1080/17503132.2014.972080

Beumers, B. (1999). Cinemarket, or the russian film industry in 'mission possible'. Europe - Asia Studies, 51(5), 871-896. doi:10.1080/09668139998750

Drieu, C. (2010). Cinema, local power and the central state: Agencies in early anti-religious propaganda in uzbekistan. Welt Des Islams, 50(3-4), 532-558. doi:10.1163/157006010X545835

Fedorov, A., Levitskaya, A., Gorbatkova, O., & Mamadaliev, A. (2018). School and university in soviet cinema of "perestroika" (1986-1991). European Journal of Contemporary Education, 7(1), 82-96. doi:10.13187/ejced.2018.1.82

Goncharenko, A. (2018). Photography as a metaphor for the lack of art in socialist realist criticism of the 1930s. Novoe Literaturnoe Obozrenie, 152(4) Retrieved from www.scopus.com

Graham, S. (2010). Contemporary uzbek cinema: The case of yusup razykov. Studies in Russian and Soviet Cinema, 4(2), 227-233. doi:10.1386/srsc.4.2.227

Ikboljon, M., & Tirkashaliyevich, K. S. (2019). Creative researches of young cameramen on the creation of graphic image in modern uzbek feature films. International Journal of Engineering and Advanced Technology, 9(1), 5230-5236. doi:10.35940/ijeat. A2948.109119

Melikuziev I.M. (2018). Film and Television Skills (Artistic Photography Formation and Development Process) Textbook, Tashkent

Sherzod, K., & Robiya, T. (2019). “New wave” in uzbek cinema art: Expressiveness in social realism. International Journal of Engineering and Advanced Technology, 9(1), 5237-5246. doi:10.35940/ijeat. A2949.109119

Sorokina, Y. (2016). From evolution to growth: Central asian video art, 1995–2015*. Studies in Russian and Soviet Cinema, 10(3), 238-260. doi:10.1080/17503132.2016.1221236

Vacche, A. D. (2012). Film, art, new media: Museum without walls? Film, art, new media: Museum without walls? (pp. 1-336) doi:10.1057/9781137026132 Retrieved from www.scopus.com