POETICS OF UZBEK CYCLE SONNETS
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Abstract
This article examines issues such as the recognition of diversity in Uzbek sonnetic writing as a phenomenon that has already been formed due to its artistic and aesthetic nature and theoretical basis, and the formation of specific typological features of sonnet series in Uzbek sonnetic writing. It is also said that the composition and plot elements of the series are in harmony, that there is a common compositional structure that connects them, regardless of the number of sonnets, and that the overall lyrical plot is formed in accordance with the description of the protagonist's experiences. The article concludes that in Uzbek sonnet writing, diversity is one of the most stable phenomena in its own form, and that sonnet-complexes, sonnet-wreaths and sonnet-epic also played a role in the development of the Uzbek sonnet.
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